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Soft Cell's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond at Leeds in 1977

Dave Ball, a key member of the innovative 1980s electronic music band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the pair scored a global success with their version of Gloria Jones' Tainted Love in 1984, and their first record their initial full-length release is regarded as a seminal work of synth-pop.

He subsequently founded the pioneering techno group The Grid, who secured chart success with 1994's the hit Swamp Thing.

Ball passed away peacefully in his sleep at his home in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

At that show, Ball performed in a wheelchair, as he had for the last two years, following a spate of health issues.

"I managed to injure myself quite a bit," he stated in 2023. "I broke lower vertebrae in my back and fractured about multiple ribs and fractured my arm."

Following catching a lung infection and developing blood poisoning, he was put in an medically-induced sleep and remained in the hospital for half a year.

However, he had been in "high spirits emotionally" over the summer, as he worked on a fresh record with Almond, titled the upcoming Danceteria, which is scheduled for release next year.

"He was concentrated and so happy with the latest project that we literally completed only a few days ago," said the singer in a tribute.
"It's so sad as next year was completely planned to be such an positive year for him, and I take some solace from the knowledge that he heard the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond referred to his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense part of my existence and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Forming a duo with someone is different from joining a group, the bond is incredibly close," he continued.
"That's how it was with us. We experienced so many extraordinary, incredible, memorable moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Early Life

Born into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half old.

He was raised in the seaside town with adoptive parents his caregivers, who changed his first name from his birth name to David, together with his younger sister his sister, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both studying fine arts. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the same year, and promptly produced an extended play.

Creative Collaboration

The duo were an distinctive pairing: Ball was the reserved musician, bent over his synthesizer, while Almond was a flamboyant showman, all glitter and eye-liner; but they achieved a unique musical alchemy.

Ball had cultivated a fascination with electronic instruments after viewing the band Kraftwerk appear on BBC program a popular series, and started to combine dark electronica to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second most popular single of the early 80s, selling 21 million units globally. Together with hits by Gary Numan, contemporary bands and electronic acts, it contributed to paved the path for the synth-pop sound of the 1980s.

The track was also featured on their full-length debut, their initial LP, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The duo were developing new material until just before Ball's passing

Professional Journey

Success had its benefits. "I loved being able to afford my first home, having financial security and exploring, which makes me sound like a beauty queen," Ball not long ago told with a publication.

But it also caused problems. "Newfound wealth allowed we could purchase newfound drugs to relieve the monotony" of press appearances and TV performances, Ball said.

"I know that's a common saying, but it's a truism for a good reason, because it applies for so many bands."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they managed to produce a second memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They released another LP, their 1984 release This Last Night In Sodom, before ending the group to concentrate on other projects.

Almond proceeded to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with melodic sounds over a enduring collaboration.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, producing the Top 40 record Cruelty Without Beauty.

After a further hiatus, they returned in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the large venue on 30 September, that year.

Yet, they remained together, creating their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the band's new album as a homage to the NYC nightlife they frequented while recording their initial records.

He noted that his time in medical care had influenced the band's sound.

"I experienced unusual memories when I was coming and going of the hospital because I was on pain medication," he told a publication.
"Our latest tracks are a digital reflection of the noises in my mind from that time.
"In parallel, it's about the times me and Marc got up to in the 80s."

The final mixes were completed only a short time before Ball died. It is due for launch in the spring of 2026.

The writer

Elizabeth Ferguson

A botanist and terrarium artist with over a decade of experience in urban gardening and sustainable plant design.

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